Art Is Hard


The music scene in the south-west is still a long way off from being anywhere near as busy or thriving as most other parts of the country, but that's not to say that there isn't anything good going on down in these parts. Art Is Hard Records are slowly making me believe that.

Predominantly based in Plymouth, and sometimes based in Bournemouth and Portsmouth depending on university term dates, Art Is Hard is a DIY bedroom label in the truest sense of the word. Run by two friends, they are looking beneath each under-explored rock and in every nook and cranny in the area to find local bands doing something worth listening to, and they're doing a good job of it - having released a compilation album of south-west bands (available through purchasing a t-shirt) and more recently a split release between The Black Tambourines and New Years Evil, they're making sure that people like me are made aware that there are things worth listening to down here. I spoke to (emailed) David about his label.

Hello, Art Is Hard. Who am I speaking to, and tell us a little about the things that you do?

Hello! You're speaking to David. Art is Hard is a record label, but not in a traditional sense I guess. I think I view what we do as more of an outlet, or an aggregator or a cataloger? So far we've only worked with bands from the South West. Although this is more by accident than anything else, it seems to be working quite well for us at the moment.

It’s more and more common for bands to do things completely themselves, and it’s increasingly difficult to break even let alone make money in the music industry today. What motivates you to run a small record label?

I think putting out music by bands you love is something everybody who has more than a fleeting interest in music dreams of. I'm not sure how it really escalated from this pipedream to where we are now. I think one of the main motivations for doing it is drunkenly telling uninterested people in nightclubs that I run a record label.

The South-West of England isn’t best known for its rich collection of alternative music. Why there, and does it have more going on than people think it does?

I think wherever you look there's always something worth your time if you scratch beneath the surface of no-hoping open mic and pay-to-play pop punk bands. It just seems that in the South West you have to do a little more scratching than in other places. The whole 'only releasing bands from the South West' thing was only intended as a theme for the first release; but it feels like it's stuck and when you look back at the great labels (Factory, DTTR, Dischord) they've always had a very strong emphasis on location. Whether we can produce anything as seminal as those releases is yet to be seen.

You said in other interviews that you have some new and interesting ideas, such as your first release (the compilation) being available through purchasing a t-shirt. Without giving too much away, what other interesting ideas do you have as a label?

The great thing about t-shirts is that people always buy them, so you can almost trick people into being interested in the music. Other things young people would rather spend money on than music include pizza and beer, so maybe we'll work on this basis. In all seriousness though we do have a couple of weird release concepts but they'd only lose us more money if we tried them out now. Maybe sometime next year!

You, your most recent release (New Years Evil/The Black Tambourines), and the bands on it have all been getting some decent press coverage recently on blogs and websites, and in magazines. Have you been surprised by how well what you have been doing has gone down?

It's always nice to find somebody has even taken the time to listen, let alone write about us and the bands. Unfortunately we're already coming to realise that selling actual records is pretty hard, irrelevant of how many times you get on the hype machine. God I sound bitter and ungrateful, we're happy really!

Have you got many more releases lined up? What does 2011 hold?

We're undecided what order our next releases will go out in but we have some really great artists lined up. Hopefully an AIH tour within the first months of the year. We definitely have a lot to give in 2011.

Thanks!

Cheers!

Find Art Is Hard on Facebook, MySpace, Twitter or at their blog. Listen to the tracks from their latest release, a split with The Black Tambourines and New Years Evil, as well as some tracks from their first compilation release below.

The Black Tambourines - Tommy

Colours - Desert Dessert

New Years Evil - Shame

Future of the Left: New Demos


Future of the Left have posted links to some new demos, which will presumably eventually appear on their upcoming third studio album, on their Facebook page. It's the first chance fans will have had to listen to what the Cardiff band has been up to since their line-up change earlier in the year, other than from live videos like this one. Stream the tracks tracks below.

Future Of The Left - I Am The Least Of Your Problems (demo)


Future of the Left - Notes On Achieving Orbit


Future of the Left - My Wife Is Unhappy

Conek4


I don't know much about drum and bass. In fact, I know hardly anything whatsoever, and to be honest, I don't like a whole load of it. Still, I wrote about Conek4 (real name John Barr, based in Cardiff) during my esteemed role as music editor of my student union newspaper a year ago and I like the music that he makes, in a kind of feeling drunk without drinking way. Some people who actually know stuff about music like it too, such as BBC Radio Wales' Adam Walton. Listen below and decide for yourself.

If you're interested to read the interview I did with John in December last year, head here. To hear more, visit John's Soundcloud. John also plays regularly at Clwb Ifor Bach, so check there for info of future happenings.

Conek4- Catharsis

Conek4- Chasing le Lotus

Sizzling Cheryl Cole Calendar 2011 – Official Photo Shoot

The Pigeon Post's Great Mixtape Swap 3


The Pigeon Post is a blog similar to this one, only better. They too write words about some of the best new bands, but they also regularly gather up all the music community spirit through running their mixtape feature. Now in its third installment, this will be my first time to get involved which is, I know, a poor effort. The premise is as simple as it sounds. A bunch of people interested in music make a playlist of around 10 tracks of new, interesting, and lesser well known songs, upload it to a file-sharing website, and send the link to Matthew at The Pigeon Post. He then puts all of the digital mixtapes into a big e-hat, plucks out the different mixtapes one by one, and sends them back to everyone who had sent one in - thus all those who join in both receive and create a little bit of happiness through the medium of music they hopefully haven't heard of and enjoy. I'm looking forward to it.

To get involved, or to read more about the mixtape (as well as the most recent Ducktapes release), click on these underlined words.

Arc Light


The words to mention when describing Arc Light seem to be "lo-fi", "psychedelic" and "pop", but for me this is far too basic a reduction of the complex sounds coming from the project of Brooklyn's Ryan Gabel.

In fairness to the bloggers and Last FM taggers, these are some of the words Gabel himself uses to tag his releases on bandcamp page. As well as that, Arc Light, in Gabel's words with Ashtapes, make the sound of "too much inspirational music" and indeed it's immediately clear from listening to his music the juxtaposition of a wide range of influences. Hints of psychedelic and pop are evident (the king of the combo Bowie comes across at times, especially in "Mind Me Mr. Halloway"), and there is a lo-fi and DIY feel to the sounds where you can imagine Gabel sat in a dark bedroom conjuring these sounds, but other than that Gabel also seems to be a fan of post-punk, shoegaze and heavier industrial sounds - songs almost always featuring an electronic drumbeat, lots of synth experimentation, and plenty of whirring noise. Even in poppier moments like during the catchy beats and high-pitched harmonies of "The Interview" songs have a real dark and sinsister feel to them - like The Beach Boys, not everything beneath the surface of the songs might be as jolly as first seems apparent.

Obviously it's not practical to tag himself with a whole paragraph of adjectives when describing his own sound - such is the nature of the music industry we live in today - but even so, you get the sense that Gabel is selling himself a bit short, especially considering he is making some of the most interesting music I have heard in a good while.

Download lots of content for free from the bandcamp page - including Arc Light's s/t debut full-length - or purchase his most recent album Westinghousing here, find out a little more from MySpace, or stream and download some tracks below.

>Arc Light - Battery Children

Arc Light - SmokeRings

Arc Light - Reverb Mystic

Arc Light - Digi Wiki